San Francisco Boat Race Dinner - Tuesday, April 3, 2018 - University Club, San Francisco
Celebrate the 164th Oxford and Cambridge Boat Race and the 82nd San Francisco Boat Race Dinner at the University Club at 800 Powell Street, San Francisco. 
Carey Perloff (A.C.T. Artistic Director) is celebrating her 24th season as artistic director of A.C.T. This fall, she directed Monstress, adapted by Philip Kan Gotanda and Sean San José from the short stories by Lysley Tenorio. Last season, she staged the New York premiere of Tom Stoppard’s Indian Ink at Roundabout Theatre Company (nominated for a Lucille Lortel Award for Best Revival) before bringing the show to A.C.T. Recent A.C.T. productions also include Testament, Underneath the Lintel, Arcadia, Elektra (coproduced by the Getty Villa in Malibu), Endgame and Play, Scorched, The Homecoming, Tosca Café (co-created with choreographer Val Caniparoli; toured Canada), and Racine’s Phèdre in a coproduction with the Stratford Festival. Known for directing innovative productions of classics and championing new writing for the theater, Perloff has also directed for A.C.T. José Rivera’s Boleros for the Disenchanted; the world premieres of Philip Kan Gotanda’s After the War(A.C.T. commission) and her own adaptation (with Paul Walsh) of A Christmas Carol; the American premieres of Tom Stoppard’s The Invention of Love and Indian Ink, and Harold Pinter’s Celebration; A.C.T.-commissioned translations/ adaptations of Hecuba, The Misanthrope, Enrico IV, Mary Stuart, Uncle Vanya, A Mother, and The Voysey Inheritance (adapted by David Mamet); the world premiere of Leslie Ayvazian’s Singer’s Boy; and major revivals of ’Tis Pity She’s a Whore, The Government Inspector, Happy End (including a critically acclaimed cast album recording), A Doll’s House, Waiting for Godot, The Three Sisters, The Threepenny Opera, Old Times, The Rose Tattoo, Antigone, Creditors, The Room, Home, The Tempest, and Stoppard’s Rock ’n’ Roll, Travesties, The Real Thing, and Night and Day. Perloff’s work for A.C.T. also includes Marie Ndiaye’s Hilda, the world premieres of Marc Blitzstein’s No for an Answer and David Lang/Mac Wellman’s The Difficulty of Crossing a Field, and the West Coast premiere of her own play The Colossus of Rhodes (Susan Smith Blackburn Award finalist).

Perloff is also an award-winning playwright. Her play Kinship premiered at the Théâtre de Paris in October 2014 in a production starring Isabelle Adjani and Niels Schneider and was produced at the Williamstown Theater Festival last summer, starring Cynthia Nixon and directed by Jo Bonney. Waiting for the Flood has received workshops at A.C.T., New York Stage and Film, and Roundabout Theatre. Higher was developed at New York Stage and Film, won the 2011 Blanche and Irving Laurie Foundation Theatre Visions Fund Award, and received its world premiere in February 2012 in San Francisco. Luminescence Dating premiered in New York at The Ensemble Studio Theatre, was coproduced by A.C.T. and Magic Theatre, and is published by Dramatists Play Service. The Colossus of Rhodes was workshopped at the O’Neill National Playwrights Conference, premiered at Lucille Lortel’s White Barn Theatre, and was produced at A.C.T. in 2003.

Before joining A.C.T., Perloff was artistic director of Classic Stage Company in New York, where she directed the world premiere of Ezra Pound’s Elektra, the American premiere of Pinter’s Mountain Language, and many classic works. Under Perloff’s leadership, CSC won numerous OBIE Awards, including the 1988 OBIE for artistic excellence. In 1993, she directed the world premiere of Steve Reich and Beryl Korot’s opera The Cave at the Vienna Festival and Brooklyn Academy of Music. A recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award, Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright Fellow at Oxford. She was on the faculty of the Tisch School of the Arts at New York University for seven years, and teaches and directs in the A.C.T. Master of Fine Arts Program. Perloff is on the board of the Hermitage Artist Retreat in Sarasota, Florida, and is the proud mother of Lexie and Nicholas. Perloff is the author of Beautiful Chaos: A Life in the Theater (City Lights, March 2015).

We always need people to help on the night with handing out labels and checking the table layout.
  • The dinner is restricted to alumni, academic visitors and former employees of the Universities of Cambridge and Oxford. Friends of the universities, who have donated to either Oxford or Cambridge, are also invited.  Each alumnus/alumna may bring one guest.
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